Traditional Spanish Guitar Making System.
(Object and area of application)
There is only one applicable guitar making method. The top is prepared and glued to wood veneer Rosette and the neck. The sides are bent, inserted and fit to the heel, which must be of hardwood (usually cedar or spruce).
The butt is then adjusted and bound to both sides from the inside section. The interior side supports (bindings or support blocks) and fitted and glued to the sides.
The next step is to set the sides and place the back of the guitar in a form or mould in order to avoid deformations. The sides and back must be made of fine hardwoods or veneer. Once the special glue has dried, the edges or purlfing is inserted. The fretboard is placed on the guitar once the neck and tail block have been formed. The fretboard is then carved and sanded until it has the definitive bridge height over the top.
Finally,the fret cuts are made and the fret pieces are inlaid.
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西班牙的传统制作系统
(使用方法和目的)
只有一个有效的制作方法.
准备制造吉他所需的材料,用胶把附着音孔饰圈的面板和琴颈粘在一起.将侧板弯曲,对准琴肩,然后粘在面板上,面板必定是坚硬的(一般来说是雪松或者冷杉木)
随后,调整琴尾接封使之两块侧板可以在下方联合.对准下边条(背梁,背筋,等等),把它们粘到侧板上.
随后,把链条装上,将背板(吉他的背部)置放在模型里以避免吉他变形.这些侧板和背板必须为质地上等的坚硬木料或者薄板.
胶一旦干了,就置放装饰包边.把指板装在吉他上,将琴颈和琴肩贴面雕成所要的形状之后,磨平指板,以至面板上的琴桥和指板有一样的高度.
最后,在指板上割线条后,就装置品丝...
[此贴子已经被作者于2005-11-3 19:53:17编辑过]
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